A New Sybil's "WHO'Z DAT?"... S.Z. "Cuddles" SAKALL (February 2, 1887 – February 12, 1955)...

Darlings! Mummy has made a decision! After reading dozens of posts and having hundreds of conversations with well-meaning folks who just don't know about the great CHARACTER actors who gave films the depth and genius that surrounded and supported the so-called "stars", I am going to post a regular, special entry called SYBIL'S "WHO'Z DAT??"....there'll be photos and a mini-bio, and the next time you see one of those familiar, fabulous faces that you just "can't quite place".......well, maybe these posts will help. Some of these actors worked more, had longer and broader careers, and ended up happier, more loved, and even wealthier than the "stars" that the public "worships"......I think there may be a metaphor in that! What do you think???

Originally named Szőke Szakáll , S.Z. Sakall (February 2, 1883 - February 12, 1955) was born Gerő Jenő in Budapest, Hungary, to a Jewish family. During his schooldays, he wrote sketches for Budapest vaudeville shows under the pen-name Szőke Szakáll meaning "blond beard" in reference to his own beard, grown to make him look older, which he affected when at the age of 18 he turned to acting and sketch writing. The actor became a star of the Hungarian stage and screen in the 1910s and 1920s when he moved to Vienna, where he appeared as a regular at Herman Leopoldi’s famous Kabarett Leopoldi-Wiesenthal. In the 1930s, he was, next to Hans Moser, the most significant representative of the Wiener Film, the Viennese light romantic comedy genre. He also appeared in Berlin. He appeared in FAMILIENTAG IM HAUSE PRELLSTEIN (1927), IHRE MAJESTÄT DIE LIEBE (1929), which was remade in Hollywood as HER MAJESTY LOVE with W.C. Fields in Sakall's role, and TWO HEARTS IN WALTZ TIME (1930). For a brief period during this time, he ran his own production company. When the Nazis came to power in Germany in 1933, Sakall was forced to return to Hungary. He was involved in over 40 movies in his native land. When Hungary joined the Axis in 1940, he headed for Hollywood with his wife. Many of Sakall's close relatives later died in Nazi concentration camps, including all three of his sisters and his niece, as well as his wife's brother and sister.

Sakall began a career that included an endless succession of excitable theatrical impresarios, lovable European uncles and befuddled shopkeepers. His first Hollywood role was in the comedy IT'S A DATE (1940) with Deanna Durbin. The first big hit of his American career was BALL OF FIRE (1941) with Gary Cooper and Barbara Stanwyck. Later, he signed a contract with Warner Brothers, where he had a number of other small roles, including YANKEE DOODLE DANDY (1942) with Oscar winner James Cagney.

Later the same year, at the age of 59, he portrayed one of his best remembered characters, Carl the head waiter in CASABLANCA (1942). Producer Hal B. Wallis signed Sakall for the role three weeks after filming had begun. When he was first offered the part, Sakall hated it and turned it down. He finally agreed to take the role provided they gave him four weeks of work. The two sides eventually agreed on three weeks. He received $1,750 per week for a total of $5,250. He actually had more screen time than either Peter Lorre or Sydney Greenstreet.

Sakall appeared in 30 more movies after this, including CHRISTMAS IN CONNECTICUT (1945) again with Barbara Stanwyck. Sakall appeared in four films released in 1948: the drama EMBRACEABLE YOU, followed by APRIL SHOWERS, Michael Curtiz’s ROMANCE ON THE HIGH SEAS (Doris Day’s film debut!!), and WHIPLASH.

He was in four top movies in 1949. First Sakall played Felix Hofer in Doris Day's second film, MY DREAM IS YOURS. Later that year, he supported June Haver and Ray Bolger in LOOK FOR THE SILVER LINING. Next, he played Otto Oberkugen (another one of his iconic roles) in IN THE GOOD OLD SUMMERTIME with Judy Garland and Van Johnson (a musical remake of Ernst Lubitsch’s THE SHOP AROUND THE CORNER. Finally, Sakall was given the principal role of songwriter Fred Fisher in OH, YOU BEAUTIFUL DOLL, though top billing went to June Haver.

Sakall appeared in nine more movies during the 1950s, two of them musicals with Doris Day, playing J. Maxwell Bloomhaus in TEA FOR TWO and Adolph Hubbell in LULLABY OF BROADWAY. His other roles included: Poppa Schultz in the Errol Flynn western MONTANA; Miklos Teretzky in the June Haver musical THE DAUGHTER OF ROSIE O'GRADY; Don Miguel in the Randolph Scott western SUGARFOOT; Uncle Felix in the musical PAINTING THE CLOUDS WITH SUNSHINE with Virginia Mayo; and in one of the episodes in the movie IT'S A BIG COUNTRY featuring Gene Kelly, Van Johnson, Gary Cooper, Janet Leigh, Fredric March, and Ethel Barrymore. His last movie was in 1954 playing Joseph Ruder in THE STUDENT PRINCE. His 1954 memoir had the humorous title of “The Story of Cuddles: My Life Under the Emperor Francis Joseph, Adolf Hitler, and the Warner Brothers.”

Sakall died of a heart attack in Hollywood on February, 12th, 1955, shortly after filming the THE STUDENT PRINCE, and ten days after his 72nd birthday. He had been married twice in his lifetime; Giza Grossner from 1916 to 1918, and Anne Kardos from 1920 till his death. He is buried in the Garden of Memory in Forest Lawn Memorial Park in Glendale, California.

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