Sybil Bruncheon’s “My Merry Memoirs”… Easter 1986.

The New York Native, a weekly paper published in New York City. And there I was as their Easter season model for gifts and treats!! .....(um, yes, I got carried away when they pulled out the chocolates! But they hadn't fed any of the crew lunch!!...... bastards!)

(Photos and article by William Cullum) (Sybil’s gown by Cliff Boone and Morrie Breyer of A.Q.U.A.)

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Sybil Bruncheon's “My Merry Memoirs”… LGBTQ Pride Parades of the Past – 1987…

Here's Mummie walking down the entire route of the parade with her theatre pal Ron Coombs lending her moral support. My ride that year in a vintage convertible Mercedes had stood me up at the last minute right before the parade started (he had a hangover… or a date!), and there I was in my tiara by Larry Vrba and my coronation ball gown by Matthew Lombardi for NYC's first Night Of A Thousand Gowns. I’d been crowned the first Empress of NY by the Imperial Court System of America… Sybil the First - The Atlas Empress!... and the ball had been held in the newly renovated and restored Waldorf Astoria in their grand ballrooms… for the then unheard of sum of $250.00 a ticket! Can you imagine?

This was the old parade route too; starting at Central Park West at 70th Street, winding down to 59th, across to 5th Avenue, then straight all the way down to Washington Square Park in Greenwich Village, across to Christopher Street, past the historic Stonewall Inn and Sheridan Square, and then all the way down to the festival on the Hudson River. Mummy's feet bled for two days… yep! BLED!… and I limped for a week!

“But the show MUST GO ON!”, right? (I WAS the first Empress of NY after all) ... ah, good times!… good times...

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Sybil Bruncheon’s “My Merry Memoirs”… LGBTQ Pride Parades of the Past – 1996…

Here we have the Sybil Bruncheon Repertory Company (including Bob Gutowski & Jay Boehm, Jeffrey Wallach, and Marty Santoro all seen here, along with Jay Rogers, Thomas Stoehr, Douglas Huston, and James Takos) did a tribute to the 200th anniversary of the French revolution and the beheading of Marie Antoinette called "Those Naughty, Naughty Queens!". We built a working tumbril, and the entire company dressed as Revolutionaries and Sans Culottes selling toy-guillotines and headless gingerbread men to the crowds! And guess who got to be the Queen being dragged to the scaffold! Type-casting, I guess you could say!... and here I tried so hard and so often to treat my staff and supporting cast with so much kindness, generosity, and understanding… oh well. (Who would have thought that 25 years later with Washington DC in so much turmoil, our little caprice would be so very pertinent!) Ah, good times!... good times!

(photo by Matthew Kiernan, Sybil’s gown by Gefil Tefish of the Hefty Highness Hideaway)

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Sybil Bruncheon's “My Merry Memoirs”…LGBTQ Pride Parades of the Past - 1986.

Here's the cover of The NY Daily News from Monday, June 30th, 1986. At the time of the LGBTQ Pride Parade in 1986, even as I was headlining at the major clubs in NYC and around the country, I also happened to have been going through some serious misadventures involving a stock broker, the (now defunct!) brokerage house Thompson/McKinnon, a taxi cab accident, back due rent, and a major rent strike at the Ansonia! (talk about material for a memoir!)... and in the middle of all that drama there was the centennial of the Statue of Liberty with all the Tall Ships coming to town along with the President and foreign dignitaries to see it unveiled, newly refurbished and restored and with a brand new 24kt torch flame gleaming over the city. In the Pride Parade just days before the huge celebration on the 4th, I celebrated the centennial in my own way with my own "Liberty" outfit of gold lamé (by Cliff Boone and Morrie Breyer at A.Q.U.A.) and a custom-made torch (that actually lit up!). It was all great fun, and another triumphant parade for the LGBTQ community. But that's not the end of the story...  

The gloriously beautiful Monday morning after the parade, I had to face all the challenges of the rent strike, being broke, dealing with being swindled along with several other gullible guys, bills, deadlines, threats of eviction, blah, blah, blah, etc, etc. I knew I had to eat a good breakfast or I'd be nauseated the rest of the day with cramps, so I headed to the diner by my corner news stand!... and the nice Moroccan man behind the counter suddenly screamed gleefully at me pointing and waving a copy of the Daily News in front of a sidewalk full of staring commuters, "Derr! I tell you! I TELL YOU!! Derr is da lady! Derr is da LADY!!! You, meester! You ARE DA LADEEEE! Ha! HA! HAAA! YOU ARE DA LADEEEE!"...

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Sybil Bruncheon's "My Merry Memoirs... PETER ALLEN"...

Peter Allen (415).jpg

I knew Peter Allen from the "circuit" back in the day. Although he certainly had his ups and downs, he also was a lovely charmer, a “character”, and beyond wonderful when he was going through his happier times. One night, we bumped into each other at Tout Va Bien, a French restaurant in the theatre district near Times Square run by ex-pats and refugees from Paris and WWII. He came in and sat down with a friend at the next booth, and when he saw me, he came right over and gave me a giant Aussie hug and kiss... well, our separate-tables dinners became ONE dinner, and we laughed and reminisced about the good times, the triumphs, and the friends in common.... and we also comforted each other about the losses and the sadness that were part of the deepening AIDS catastrophe. We both had lost partners (and most of our friends) as the disaster unfolded, and Peter was bravely battling on with his own health. He continued performing, and brilliantly, right up until just six months before his own death in San Diego.

But on that night, in 1991, at dinner, he was as radiant, funny, naughty, generous, and loving as could be! I remember I told him about a show of his that I saw at the great Radio City Music Hall in 1982. It was one of those times when you wanted to sit as close as possible to the stage as opposed to sitting back in the enormous theater for the panorama of the production. And he sang and danced to "Arthur's Theme". His eyes widened as I described how he had played the song and sang at the grand piano, and then as the orchestra took over, he stood and danced as well. The stage began to fill with fog, and the entire skyline of Manhattan came out of the mist in the background and the moon began to rise, and Peter then did his signature semi-improvised style of dancing around, then up onto the bench then up onto the piano, and the entire stage began to rotate with the piano and Peter rotating separately on the giant disc.... and then, as he continued to sway and sing the lyrics, he and the piano, swung up and out, and then floated into the clouds, higher and higher and vanished into the distance as the entire audience gasped... and wept...

Peter, and our two friends sat there in the restaurant staring at me. I said that it was one of the most breathtaking things I had ever seen… To break the silence, I said, "And Peter, I want you to tell that story at my funeral!"... a line that I often use. Peter, with his eyes sparkling, chuckled, "… and will you say that at my funeral?"... because... well, we all knew.

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