Sybil Bruncheon’s GREAT MOMENTS IN THE ARTS!!... February 25th, 1918...

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On this date, February 25th, 1918, Vaslav Nijinsky staged his new ballet, “SIS KOOM-BAH!”… the heartbreaking story of a sensitive young man in college who decides against all sound advice to become a cheerleader for the Ladies’ Cross-Country & Obstacle-Course Croquet Team. Although teased and even assaulted mercilessly with oblong vegetables by a gang of traveling salesmen, he becomes the captain and inspires the other cheerleaders to win state competitions. Tragically, in the final act, the young man is struck by a fierce “dambuster shot” and he pitches into a swamp on the grounds of the Key Largo Secretarial Sciences Academy. Nijinsky reused his dying swan choreography to great effect as the drowning cheerleader…. tangled in a treacherous thicket of… um… wickets… The critics were rapturous!

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Sybil Bruncheon’s GREAT MOMENTS IN THE ARTS!!... February 20th, 1918...

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On this date, February 20th, 1918, Vaslav Nijinsky staged his new ballet, “THERE’S A SPOOK IN MY CURTAINS!”, the story of a sensitive young man who, having just gotten his driver’s license, backs his Model T over his grandmother and imagines her ghost has haunted his home. In the second act Nijinsky’s character loses his mind and tosses himself along with his dirty laundry into the newly invented washing machine for a pas de deux with a pair of flannel pajamas!…after a particularly terrifying spin cycle with the entire cast, the ballet ends with the young man in a final tableaux. He attaches drapery rings and hangs himself in a bay window… the audience fled the theatre screaming. Sadly, they were too frightened to stay and applaud… or ask for autographs.

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Sybil Bruncheon’s GREAT MOMENTS IN THE ARTS!!... February 17th, 1918...

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Sybil Bruncheon’s GREAT MOMENTS IN THE ARTS!!... On this date, February 17th, 1918, Vaslav Nijinsky staged his new ballet, “DO MY LEOTARDS MAKE ME LOOK FAT?”, the story of a sensitive young coal-miner in West Virginia who struggles daily between the challenges of “black-lung” and bulimia. His pas-de-deux in the second act was particularly poignant as he danced with his caged canary, dressed in nothing but a head-lamp!

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Sybil Bruncheon's "GREAT MOMENTS IN THE ARTS!!"... January 30th, 1918...

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Sybil Bruncheon’s GREAT MOMENTS IN THE ARTS!!.... On this date, January 30th, 1918, Vaslav Nijinsky staged his new ballet “NOT NOW! I’M A LADY”. He claimed he had gotten his inspiration after helping his mother with the laundry and trying on all of her clothes fresh out of the dryer. Interestingly, they could both wear the same size in just about everything! Even her… um… “dainties”… if he… uh, arranged himself properly!

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SYBIL’S HYSTERICAL HISTORIES!... Dateline: Heckscher State Park – 1923...

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Hello, History Habitués! Did you know that at one time, people actually didn’t like their children? Oh, I don’t mean the thirteen noisy pyromaniacs ranging in age from 2 to 17 living next to you who burned your wisteria arbor down. I mean people who didn’t like their own children! Can you imagine?? (Well I can, but that’s another story for another time!)

       Back right after World War I, when the influenza epidemic had killed off millions of people including their children, youngsters were viewed more often as unpaid help, additional employees, and even appliances, farm tools, or kitchen utensils. If one broke (or died) you could always make or purchase another. Half of Shirley Temple’s and Jackie Coogan’s early films were about just such adventures (but with much happier endings… and usually a tap-dance number or two with a grumpy British man or a kindly “negro”.) A child at that time was considered a blessing, not at birth of course, but only as an investment in the future, and other families would shake your hand in the delivery room, on the kitchen floor, or behind the barn… (wherever!) and say things like “Well, Clem, he should grow up to pull a fine plow in 8 years….even without that foot!”… or “She’s okay looking if you ignore that dent in her forehead, but what does a pretty face have to with filling artillery shells?... especially with those perfect little fingers!”… You get the idea. 

       Of course, there was the alternative too. Later on, parents might not be particularly fond of their children after a few years. Perhaps the jobs their toddlers had learned were replaced by machines or by children in other countries. Or perhaps that missing leg or the loss of a couple of those dainty fingers proved to be a setback on the farm… or in the war department, and so, there came that sad day when it was time for a call to the Heckscher Haven For Waifs, Wastrels, Wantons, and Waiting-To-Be-Adopteds! Yes! That’s it in the photograph in the background there… a sturdy and pious building (except for those frivolous awnings!... well, the Warden’s wife DID want to try her hand at decorating). The building and its grounds were formerly known as the South Shore Asylum for the Inconveniently Useless, but liberals and so-called intellectuals from Eastern universities felt that bronze plaques like that only encouraged drooling, temper tantrums, yowling at the moon, and chewing with one’s mouth open. And THAT was not going to be tolerated! Eventually, all the adult inmates either were taken away to “friendly farms” or “aged out of the system”, and the juvenile wing became the model for the rest of the facility. The crayons, finger paints, construction paper, and round-tipped scissors were tossed in favor of drill presses, pedal-driven sewing machines, tiny convection ovens, pressure cookers, and giant turbines with surging pistons, toothed gears, whirling blades, and signs printed in block letters saying things like “BE CAREFUL!... OR DON’T CRY!” and “DON’T THINK THAT POKED OUT EYE GETS YOU MORE OATMEAL!”. Children seemed to understand and follow the directions (well, most of the time!). And getting a child to sleep was never a problem at Heckscher… not after a sixteen-hour day! The staff prided itself on the smooth running of the place, and even their pick-up service was a model for the industry.

      On that special day when a child was to be “relocated”, the staff arranged for the ever-cheerful Kare-Free Kiddie Kar to come for them, driven by “Reverend” Jim-Bob Wrightsmann, accompanied by two specially selected “residents”, usually Edith Flank, one of the senior girls who served as mentors and advisers to the newcomers, and little Jeanine Comerhum who acted as a playmate for the newly acquired child but was actually a 44 year old midget from the Esterhozy Circus when it went bankrupt. There they are in the photo with friendly Mr. Jim-Bob. Not pictured in the photo due to a weekend-long headache is Koo-Koo the Kar Klown who was hired to distract possibly screaming and begging children if Edith and Jeanine weren’t able to restrain them. His poodle-balloons were always very effective, especially when filled with nitrous-oxide. And sometimes if they popped en route to the Heckscher Haven everyone on board would have a very merry time… provided there wasn’t a fiery bus crash along the Timber Point Road… but that’s a story for another time!

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Sybil Bruncheon's "Our Hysterical Histories":... Ma Crayoller…

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... but then that was the way things t'were in 1843. Berenice Crayoller had owned a fancy gourmet restaurant in Baltimore serving the rich and famous, including a couple of Presidents who’d travel all the way from Washington. Sadly, she finally had to run off from her drunken and abusive husband Abner and crossed the wide continent to start anew. It was her dream to bring her "Ma Crayoller's Caviar & Croissant Café" to the Indians she had read so much about in the Baltimore Bugle... "Now who dassn't love a nice hot breakfast treat on a chilly morn?", she declared as she rode her covered café-wagon out of Ft. Apache...

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Sybil Bruncheon’s “Our GAY American Heritage... That’s Show Biz!":

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Did you know that "Bubbles Dequeere" was the secret drag name that Paul Revere used after the Colonies won the Revolution?... and that Alexander Hamilton opened The Yank-Mee-Doodle Dandy Inn...... the country's first Gay Bar!...

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Sybil Bruncheon's "GREAT MOMENTS IN THE ARTS!!"... January 22nd, 1918...

Sybil Bruncheon’s GREAT MOMENTS IN THE ARTS!!.... On this date, January 22nd, 1918, Vaslav Nijinsky premiered his shockingly provocative ballet/contortionist/juggling/tragi-comic/spectacle: "Chef Grand Jette-Comme-Une-Fille Rencontre L'homme Natif Musculaire." ...He danced the role of Big Chief Throws Like a Girl. The critics were especially outraged by his fourth act entrance "en pointe" in nothing but a beaded pouch shaped like a tee-pee and some strategically placed feathered pasties.... But his tomahawk juggling got him thirteen bows to standing ovations... (although he DID lose two toes...) 

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