Tuesday, December 10th, 2013

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Every place is beautiful when it snows! Every neighborhood in NYC has that same wonderfully quiet feel to it, cold and yet somehow cozy, and clean as the snow starts covering every twig, every edge, every detail... But it's Greenwich Village that I always think of when it snows. Even when I've been dying of the flu, I've gone out walking in snowstorms in Greenwich Village. If you get a chance today, take a walk where you live and be present to that same beauty that's yours to enjoy. Yesterday is gone... tomorrow never comes. It's only today, and our job is to be "present".... because it IS a "present"....

Some DOs and DON'Ts of Champagne and wine....

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Darlings, starting in November, everyone is getting ready to share Holiday meals whether as a host or a guest! And wine and champagne play an important part in those traditions... Here are a couple of handy hints (of the Gazillions we could discuss!) that might come in handy when it comes to libations. 

When you store wine or champagne in your house, the usual rule of thumb is to keep the bottles on their sides.... why? With wines, it's to keep the cork moist. If the bottle is upright for long periods of time, especially in low humidity (like dry heat in the Winter) it can begin to shrink allowing air into the wine and turning it into vinegar...or worse! Although wine connoisseurs may get picky about the exact angle for subtle chemical variations, the basic principle for the average home is to store the bottle horizontally.

As to champagnes, there are two schools of thought: upright or horizontal. The "upright" camp says that the cork and wire closure is firm enough and that exposure of the cork to the champagne over long periods of time can cause an adverse reaction eventually. The "horizontal" camp says champagne and wine corks should be treated the same way, with the cork in constant contact with the liquid.. I've always stored my champagne horizontally. It's the way I was taught, and saw everyone deal with as I grew up both in fine restaurants and in private homes. I DID learn one very important lesson over the years though, and from a friend of mine who was very high up at Veuve Clicquot. Never keep champagne stored in your home for years!! The champagne that is sold is ready for consumption! You don't need to add to its aging. Buy it and serve it in a timely manner. And store it on its side until you do in a dark place with a steady temperature...never too cold or too hot. Never in a garage or a basement that can fluctuate either in temperature or humidity extremes. And never store champagne in a refrigerator! Always chill champagne right before you serve it! ALWAYS!.... chilling champagne too long before opening can absolutely kill the flavor. A friend of mine had an extremely expensive bottle of champagne that he kept in his refrigerator for "that special occasion" which never seemed to happen. Finally after about a year, he found a perfect time to open it with a group of special guests.... the champagne certainly "popped", but the flavor was gone!! Absolutely GONE!...a flavor and festivity fiasco! 

The so-called bouquet of wines is a very real part of the experience...some folks want to "air" the wine after they open it. But many connoisseurs claim that that initial bouquet should not be lost. It may in fact depend on the particular wine being served. I err on the side of always getting the wine into the glass and letting everyone experience it from the very start! Isn't exploring the wine with your guests part of the fun?? Let them decide how it "evolves". As to champagne, well the bubbles tell you everything you need to know, right? They seem to be saying, "Let's party!"... but a couple of tips: Uncork the bottle slowly! It may seem more macho to let that cork fly up at the chandelier, but all it really does is waste the fizz, and possibly some of that wonderful bubbly! You can get a nice satisfying whispery pop from the bottle that satisfies your onlookers and shows your confidence and appreciation for the finer things!

And that can go for your beverage accessories too; champagne flutes are much better than those flat champagne "coupes" from the 1950s, supposedly modeled on the breasts of Marie Antoinette. They were neither modeled on her breasts, nor are they good for champagne....the carbonation quickly disperses, the wine goes go warm, and they don't hold very much on top of it all! Feel free to toast with them and throw them into the fireplace! The long vertical shape of the flute is ideal for chill retention, fizz, and quantity! To add to the elegance, always hold your flute (and indeed ALL stemware!) by the the stem itself. Etiquette experts say that one should avoid ever holding any stemware by the "bowl" of the glass, even a "snifter" if one can manage it. Besides, the warmth of your hand on the champagne flute itself will warm the champagne...(I guess if it lasted that long in the glass!) And if you find yourself pouring champagne, a lovely trick to do it expertly without it foaming up and over the rim is to simply tip the flute at a 45 degree angle and pour slowly and steadily. You'll look ever so "in charge" as it smoothly fills the glass, foaming and tumbling, but never climbing out of control towards a tabletop disaster!! Amusez-vous, mes amis!!

A New Sybil's "WHO'Z DAT?"... LEE PATRICK (November 22, 1901 – November 21, 1982)

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Darlings! Mummy has made a decision! After reading dozens of posts and having hundreds of conversations with well-meaning folks who just don't know about the great CHARACTER actors who gave films the depth and genius that surrounded and supported the so-called "stars", I am going to post an occasional, special entry called SYBIL'S "WHO'Z DAT??"....there'll be photos and a mini-bio, and the next time you see one of those familiar, fabulous faces that you just "can't quite place".......well, maybe these posts will help. Some of these actors worked more, had longer and broader careers, and ended up happier, more loved, and even wealthier than the "stars" that the public "worships"......I think there may be a metaphor in that! What do you think??? While you’re mulling it over, I want to introduce one of my best girlfriends and one of the great, GREAT (and unsung!) actresses of Hollywood. An actress who was pretty enough to play the ingénue and leading lady in the 1920s, and then who evolved into such a wide variety of character roles that she left audiences unaware of who they were actually seeing. She was so talented that she completely disappeared into her roles… a veritable Female Lon Chaney Sr., if you will… except that she was so much prettier!!! How rare is that?? And she WELCOMED her evolution into the character roles. The actress I’m speaking of is Lee Patrick (November 22, 1901 – November 21, 1982).

Born in New York City, she first became interested in theatre through her father who was the editor of a trade newspaper. She started off on the stock stage as a teen and debuted on Broadway in THE GREEN BEETLE (1924), becoming a long and popular NY stage presence during the 20s and early 30s with such scene-stealing roles in the original 1929 production of JUNE MOON by George S. Kaufman and Ring Lardner, and later in LITTLE WOMEN (1930), and BLESSED EVENT (1931). For more than a decade, she was constantly employed and established herself as a popular actress, and reprised her role in the 1933 revival of JUNE MOON. Her success in the Broadway production of STAGE DOOR (1937) by George S. Kaufman and Edna Ferber led her to Hollywood to reprise her starring role in the film version, which would have been a huge break for her career. But eventually the part was rewritten and split from a single major character into TWO characters which were played by Katharine Hepburn and Ginger Rogers. Patrick had made her film debut in 1929, but since that time, had not appeared in another single film, and RKO was reluctant to star an unknown actress in a film which they were beginning to realize had great potential. Her disappointments continued when she was considered and then rejected for the lead role in STELLA DALLAS (1937) in favor of Barbara Stanwyck.

Her difficulties in establishing a career as a leading actress were often attributed to a long-standing feud Patrick had with gossip columnist Louella Parsons. Patrick's husband, Tom Wood, a journalist and author of The Lighter Side of Billy Wilder, once wrote a magazine article which was very critical of Parsons, and she earned the enmity of not only Parsons but of the Hearst Publishing empire which was her employer. She remained in Hollywood, and appeared in a wide variety of films such as BORDER CAFE (1937), a Western starring Harry Carey and in THE SISTERS (1938), a romance starring Bette Davis and Errol Flynn. But the toll on her career was serious. Over the next several years she played numerous supporting roles, without attracting much critical attention. However, in 1941, Patrick appeared in THE MALTESE FALCON (1941) as Effie Perine, the loyal and quick-thinking secretary of Humphrey Bogart's Sam Spade. Perine was one of Patrick's most enduring film appearances. In an iconic film that is filled with some of the most eccentric character portrayals of all time, Patrick stands out as perhaps the most accessible and charming of them all…. the “normal” center around which all the drama swirls and perhaps the only person that the audience can actually identify with given Bogart’s morally ambiguous Sam Spade.

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That same year, she appeared in a leading role as an intelligent, crime-solving nurse in the murder mystery THE NURSE’S SECRET, but she got very little publicity or career advancement from it. Among her other films are NOW VOYAGER (1942), again with Bette Davis, this time as a passing acquaintance she meets while traveling, MRS. PARKINGTON (1944), GAMBLER’S CHOICE (1944), MILDRED PIERCE (1945), and WAKE UP AND DREAM (1946).

It was in 1950 that Patrick made a shocking decision to star in the controversial and nearly censored CAGED, a potboiler film about women in prison also starring Agnes Moorehead and a host of Hollywood character women turning in over-the-top performances in this thinly veiled Lesbian drama. Patrick’s villainous Elvira Powell is unforgettable as she maneuvers and bullies the younger and weaker convicts in the prison. Switching back and forth in chameleon fashion, a wide of range of comic and dramatic appearances followed with THERE’S NO BUSINESS LIKE SHOW BUSINESS (1954), VERTIGO (1958), AUNTIE MAME (1958), PILLOW TALK (1959), SUMMER AND SMOKE (1961), and 7 FACES OF DR. LAO (1964).

Even as she was making films in the 1950s, Patrick was also appearing in the new medium of television on the CBS situation comedy TOPPER (1953–1955) as Leo G. Carroll’s befuddled wife, with Anne Jeffreys, and Robert Sterling. She made several appearances as the mother of Ida Lupino in the CBS sitcom MR. ADAMS AND EVE (1957–1958), also starring Howard Duff, Lupino's third husband. Her final film role was a reprise of her Effie Perine character in a reworking of the Sam Spade story THE BLACK BIRD (1975). Starring George Segal as Sam Spade, Jr., forced to continue his father's work, and to keep his increasingly sarcastic secretary, the film attempted to turn its revered predecessor into a comedy.

Long and happily married to newsman-writer Tom Wood, Lee was plagued by health problems in later years and died of a heart seizure at Laguna Beach, California in 1982 on the day before her 81st birthday. They had no children. After her death it was discovered that she was ten years older than she had ever revealed. Shaving a decade off her age was a decision she made early in her career, and at the time of her death, many of her friends mistakenly believed that she was in her early seventies.

Small Business Saturday!

Small Business Saturday....EVERYDAY!

Small Business Saturday....EVERYDAY!

Folks, speaking as someone who walks around NYC all the time, I spot small businesses everyday that have that special entrepreneurial touch that means so much to me in service and products. Take the time to look for small businesses in your own town, and pay them a visit. Remember, the health, patronage and success of small local businesses has far-reaching beneficial effects on your entire community. Let's make Small Business Saturday EVERYDAY!!!

Reflecting on the World Trade Center...1973.

I remember as the towers first went up, people were just amazed that the "tallest buildings" in the world were going up basically on water. Later on in the 1980s the piers on the Hudson beyond the WTC to the West (or the left) in the photograph all became landfill as well. Folks who study the amazing history of Manhattan dating back to the 1500s, are stunned to learn that most of the neighborhoods along the 21st century shore are in fact massive landfills started by the Dutch and continued on by the British and colonial Americans. What's wonderful about the nearly bankrupt 70s in NYC is that where else in the world, could you have a city going broke, covered with litter, crime, and debt, decide to build not one but TWO copies of the "world's tallest building"....and right there on the shore. Unlike other people, I always loved the way they looked, and in every weather condition, season, and time of day. ...and only New Yorkers could have dreamt and accomplished something so spectacular and audacious!!!... I watched them go up floor by floor, I worked and played in them at different times, and I watched them come down in front of my very eyes from my street corner just blocks away. If I live to be 1000, I will never see photos of them without being filled with both joy and grief... and nostalgia for a NYC that's gone....

The World Trade Center towers built on the shore of the Hudson River seen here in March, 1973

The World Trade Center towers built on the shore of the Hudson River seen here in March, 1973

....so-called "ordinary people" doing extraordinary things!! ...The secret life of Vivian Maier....

Vivian Maier : Street Photographer

Vivian Maier : Street Photographer

Another story of the miracles that are around us...all the time. Geniuses walk by us everyday, sometimes never recognized in time...or at all, ever. Saints and angels standing on a street corner or passing by at the store.... then, once in a while, something like this comes to light, and everything changes...for just a moment. Imagine if she knew somehow that her work was glorious and that it would change the lives of hundreds of strangers sometime in the future....after she was gone... I hope she could have had that peace, that knowing....

Church Lady Bingo!

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Church Lady Bingo! WIth the one and only Sybil Bruncheon, 7pm Friday, December 13, 2013.

It's that time of the year again!!! MCC's CHURCH LADY BINGO has returned for a Seventh Smash Season!!! ....with your Charming Church-Lady Hostess SYBIL BRUNCHEON! ....let's congregate as she puts the "fun" in fundraising!!! And she's adding a special extra dollop of her Sybil's Smarty-Pantz Revue for those folks who like their "brainy" with their "bingo"!!!

Here's the link for rezzies and tickets! Order today!! Limited seating available!! Xoxoxo!!!! http://www.brownpapertickets.com/event/475917.