A New Sybil Bruncheon's "WHO'Z DAT?"... WARD BOND (April 9, 1903 – November 5, 1960)...

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 Darlings! Mummy has made a decision! After reading dozens of posts and having hundreds of conversations with well-meaning folks who just don't know about the great CHARACTER actors who gave films the depth and genius that surrounded and supported the so-called "stars", I am going to post a regular, special entry called SYBIL'S "WHO'Z DAT??"....there'll be photos and a mini-bio, and the next time you see one of those familiar, fabulous faces that you just "can't quite place".......well, maybe these posts will help. Some of these actors worked more, had longer and broader careers, and ended up happier, more loved, and even wealthier than the "stars" that the public "worships"......I think there may be a metaphor in that! What do you think??? Well, before we get too immersed in a complicated discussion, let me introduce you to a solid American UNCOMPLICATED guy with a face as chiseled and manly as any that ever graced the silver screen! WARD BOND! (April 9, 1903 – November 5, 1960).  

Born Wardell Edwin Bond in Benkelman, Nebraska, and growing up in Denver, Colorado, Bond’s early years in the prairies and mountains burnished that Western glow on his character that played so well in over 200 films. Reaching an astonishing 6’2” and a lean 195 lbs., Bond played college football at the University of Southern California as a starting lineman on their first national championship in 1928. One of his teammates was a young man named Marion Morrison who would later become Hollywood’s John Wayne. They became life-long friends and colleagues. Bond, Wayne and the entire Southern Cal team were hired to appear in SALUTE (1929), a football film starring George O'Brien and directed by John Ford. It was Bond’s and Wayne’s screen debut and they became friendly with Ford. Both actors would appear in many of Ford's later films. Always cast as a “man’s man”, Bond would often play a friendly cop, a strong and sympathetic cowboy, or, on rare occasions, a thug. His long working relationship with John Ford resulted in 25 films including DRUMS ALONG THE MOHAWK (1939), THE GRAPES OF WRATH (1940), FORT APACHE (1948), THE QUIET MAN (1952), and THE SEARCHERS (1956). Perhaps because of his natural warmth on camera, Bond was cast in several of Frank Capra’s populist-oriented films... LADY FOR A DAY (1933), IT HAPPENED ONE NIGHT (1934), YOU CAN’T TAKE IT WITH YOU (1938), and the iconic IT’S A WONDERFUL LIFE (1946).  

His solid unadorned acting style served him beautifully both in dramas and comedies opposite the greatest stars in the industry. Audiences felt that they were seeing the “real” Ward Bond when he appeared on screen in many of the most classic films of the 30s, 40s, and 50s, including BRINGING UP BABY (1938), GONE WITH THE WIND (1939), THE MALTESE FALCON (1941), SERGEANT YORK (1941), THEY WERE EXPENDABLE (1945), JOAN OF ARC (1948), and his final film RIO BRAVO (1959), also done with friend John Wayne. During the 1940s, both Bond and Wayne were members of the conservative political group called the Motion Picture Alliance for the Preservation of American Ideals, whose major rationale was opposition to communists in the film industry. In 1960, Bond campaigned for the Republican presidential nominee Richard M. Nixon. Bond died three days before Democrat John F. Kennedy narrowly defeated Nixon.  

Possibly because of his constant “supporting player” status in the movies, Bond made an easy and successful transition into television in the 50s, starring in the immensely popular NBC western television series “Wagon Train” from 1957 until his death in 1960. “Wagon Train” was inspired by the 1950 film WAGON MASTER in which Bond also appeared, and was influenced by THE BIG TRAIL (1930). The formula for “Wagon Train” allowed for special guest stars from Bond’s old studio days to rotate through as travelers each week, allowing him to work with old friends during his run. He specifically requested friends Terry Wilson for the role of assistant trailmaster Bill Hawks and Frank McGrath as the cook Charlie Wooster. Wilson and McGrath both stayed with the series for the entire run. An inveterate chain smoker like his friend Wayne, Bond died of a massive heart attack at 57 years of age.  

Having made 16 films with his friend over the years, John Wayne gave the eulogy at his funeral. Bond's will bequeathed to Wayne the shotgun with which Wayne had once accidentally shot Bond. Ward Bond has the distinction of appearing in more of the films on both the original and the tenth anniversary edition of the American Film Institute’s “100 Years/100 Movies” lists than any other actor, albeit always as a supporting player. He had also been in 11 films that were nominated for the Academy Award for Best Picture, which may be more than any other actor. Although he was married twice (Doris Sellers Childs m.1936-1944; divorced, and Mary Louise May m.1954-1960; his death) he never had any children. For his contribution to the television industry, Bond has a star on the Hollywood Walk of Fame at 6933 Hollywood Blvd. In 2001, he was inducted into the Western Performers Hall of Fame at the National Cowboy & Western Heritage Museum in Oklahoma City. There is also a Ward Bond Memorial Park in his birthplace of Benkelman, Nebraska.

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A New Sybil's "WHO'Z DAT?"... PORTER HALL (September 19, 1888 – October 6, 1953)

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Darlings! Mummy has made a decision! After reading dozens of posts and having hundreds of conversations with well-meaning folks who just don't know about the great CHARACTER actors who gave films the depth and genius that surrounded and supported the so-called "stars", I am going to post a regular, special entry called SYBIL'S "WHO'Z DAT??"....there'll be photos and a mini-bio, and the next time you see one of those familiar, fabulous faces that you just "can't quite place".......well, maybe these posts will help. Some of these actors worked more, had longer and broader careers, and ended up happier, more loved, and even wealthier than the "stars" that the public "worships"......I think there may be a metaphor in that! What do you think???.... while you’re reflecting, I’m inviting into our hallowed hall one of my very favorite people in show biz!!! OH! And speaking of which, he IS a Hall, PORTER HALL (September 19, 1888 – October 6, 1953), one of the most recognizable actors ever to grace the silver screen!

Born in Cincinnati as Clifford Porter Hall, his father, W. A. Hall, headed a cooperage business that ended because of prohibition in the United States. After graduating from the University of Cincinnati, Hall worked for the Fleischmann Company while also directing and acting in little theatre productions in Cleveland. Hall began his career touring as a stage actor with roles in productions of THE GREAT GATSBY and NAKED in 1926. His Broadway credits included THE RED CAT (1934), THE DARK TOWER (1933), THE WARRIOR'S HUSBAND (1932), COLLISION (1932), IT'S A WISE CHILD (1929), NIGHT HOSTESS (1928), LOUD SPEAKER (1927), NAKED (1926), and THE GREAT GATSBY (1926).

Hall made his film debut in the 1931 drama SECRETS OF A SECRETARY at the age of 43, and he made his last onscreen appearance in the 1954 filmRETURN TO TREASURE ISLAND, which was released after his death. But between those films, he appeared in over seventy-six other movies.  

He was probably best remembered for five roles: a senator in MR. SMITH GOES TO WASHINGTON (1939) with Jimmy Stewart, Claude Rains and several other major stars directed by Frank Capra, an atheist in GOING MY WAY (1944) starring Bing Crosby, the nervous, ill-tempered Granville Sawyer, who administers a psychological test to Kris Kringle in MIRACLE ON 34TH STREET (1947), a train passenger who encounters a man (Fred MacMurray) who has just committed a murder in DOUBLE INDEMNITY (1944), and the title character's lawyer in THE THIN MAN (1934) with William Powell and Myrna Loy. Along the way, he was so respected and valued that he worked repeatedly with some of the greatest directors in the industry (Capra, Howard Hawks, George Seaton, Billy Wilder, W. S. Van Dyke). Hall worked along side Oscar nominated and winning stars; Bette Davis, Humphrey Bogart and Leslie Howard in THE PETRIFIED FOREST (1936), Cary Grant and Rosalind Russell in HIS GIRL FRIDAY (1940) and has the distinction of having been in six films that were nominated for Best Picture; THE THIN MAN, THE STORY OF LOUIS PASTEUR (1936), MR. SMITH GOES TO WASHINGTON, GOING MY WAY, DOUBLE INDEMNITY, and MIRACLE ON 34TH STREET, with GOING MY WAY winning Best Picture. When reviewing his career and the casts and crews Hall worked with, it’s astounding how many times he worked with the same people again and again; a tribute to his talent and the joy he brought to the industry and his co-workers.

For over two decades, Porter Hall made a career out of playing a wide range of sinister villains, pompous snobs, sharp smart-alecks, and comically incompetent fools. His movie career was not a mirror of his real life, however. He was well known as a generous and outgoing person who was well-liked by almost everybody he knew. It is ironic that the role he is most often seen in today is that of an atheist in GOING MY WAY - ironic because Hall was a deacon at the First Presbyterian Church of Hollywood. He married actress Geraldine Hall in 1927 and had two children, David and Sarah Jane. He died of a heart attack in Los Angeles at 65 years of age. He was interred in Forest Lawn in the Hollywood Hills.

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HAPPY BIRTHDAY in OCTOBER!... another Sybil's "Who'z Dat?" Quiz…

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Can you figure out who the Birthday Celebrities are in Mummie's collage? Answers are posted below…

(Clockwise from top left: Lloyd Corrigan, Jerome Cowan, Douglas Dumbrille, Jane Darwell, Juanita Moore, Marsha Hunt, Sig Ruman, Spring Byington, and Miriam Hopkins)

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Sybil Bruncheon's "Hollywood Fact or Fiction!"… NOW-UR-HERE/NOW-UR-NOT"!...

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TRUE STORY!!... this is the only known photo of the horribly tragic incident of "Joan Crawford & The MGM Transporter"...

L.B. Mayer, in an attempt to save travel expenses for his major stars going on location shoots in the 1930s, invested in advanced scientific research at M.I.T.

Albert Einstein and a handful of radical physicists claimed that they could "transport" props, camera equipment, and even movie stars around the globe in an instant and have them back in Hollywood for dinner after a full day of filming on the other side of the Earth. And no more faking foreign sets on Hollywood backlots!! Joan Crawford, being one of the biggest stars at the time, pushed her way to the front of the line on the day that they were to inaugurate the new "Now-Ur-Here/Now-Ur-Not Time Bender".... it was located just off the MGM Commissary near the dessert counters. After knocking Clark Gable and Franchot Tone to the floor, Crawford threw herself into the glass travel-booth!... there was a blinding flash of silvery blue light, a whirring sound of gears and steam.. ending in the grinding of metal like a soda fountain milkshake-maker gone horribly awry... then a scream and maybe some swear-words, and when the brown smoke cleared, there remained only a dish of beans and franks where the great Joan Crawford had just stood!!...

Fortunately with Einstein's great mind, his team's determination, and L.B.'s vast resources, they were able to bring Crawford back, a little at a time, over the following 3 weeks, although cafeteria-goers kept trying to eat her... and complained of gas.

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